Publications

2017

David M. Weigl, David Lewis, Tim Crawford, Ian Knöpke & Kevin Page (2017). ‘On providing semantic alignment and unified access to music-library metadata’. International Journal of Digital Libraries [Springer | https://doi.org/10.1007/s00799-017-0223-9].

David Lewis, Yun Fan, Glenn Henshaw & Kevin Page, ‘Musicology of Digital Libraries: structures in RILM’, In
style="font-style:italic">Proceedings of the Fourth International Workshop on Digital Libraries for Musicology (DLfM 2017). Shanghai [acm |DOI 10.1145/3144749.3144762]

David Lewis, Kevin Page & Andrew Hankinson (May 2017) ‘Capturing context and provenance of musicology research’.
In Music Encoding Conference, Tours.

David Lewis, Kevin Page, David Weigl & Richard Lewis (May 2017)
Music and Drama: linking libretti and scores’. In Music Encoding Conference, Tours.

Tim Crawford & David Lewis (May 2017). ‘Early modern cover song detection: finding concordances in mixed-notation corpora of early music’.
In Music Encoding Conference, Tours.

Kevin Page and Carolin Rindfleisch (March 2017),  ‘Linking Leitmotifs: A Digital Study of Leitmotif Interpretations through Ontologically Contextualised Notation’,
In International Musicological Society, Tokyo.

David Lewis and Ben Fields (March 2017), ‘Understanding Community Structure in Musicology’, In International Musicological Society,
Tokyo.

2016

Terhi Nurmikko-Fuller, Alan Dix, David M. Weigl, and Kevin R. Page (August 2016). ‘In Collaboration with In Concert: Reflecting a Digital Library as Linked Data for Performance Ephemera’. In Proceedings of the Third International Workshop on Digital Libraries for Musicology (DLfM 2016).
New York, NY. [acm |DOI:10.1145/2970044.2970049]

David Lewis, Tim Crawford, and Daniel Müllensiefen (August 2016). ‘Instrumental Idiom in the 16th Century: Embellishment Patterns in Arrangements of Vocal Music’. In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2016).
New York, NY. [pdf]

Ben Fields, and Christophe Rhodes (August 2016). ‘Listen To Me – Don't Listen To Me: What Communities of Critics Tell Us About Music’.
In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2016). New York, NY. [pdf]

Kevin R. Page, Terhi Nurmikko-Fuller, Carolin Rindfleisch, and David M. Weigl (July 2016). ‘Digital Annotation Tooling for Opera Performance Studies’. In Digital Humanities (DH 2016). Krakow, Poland.

David Baker, and Daniel Müllensiefen (July 2016). ‘Hearing Wagner: Physiological Responses to Richard Wagner's Der Ring des Nibelungen’.
In Proceedings of 14th International Conference for Music Cognition and Perception. San Francisco, CA. [poster]

David Baker, and Daniel Müllensiefen (July 2016). ‘Perception of Leitmotives in Richard Wagner's Der Ring des Nibelungen’.
In Proceedings of 14th International Conference for Music Cognition and Perception. San Francisco, CA.

David M. Weigl, Terhi Nurmikko-Fuller, and Kevin R. Page (June 2016).
Aligning digital humanities datasets for unified access’. In 3rd Australasian Association for Digital Humanities (aaDH) Conference. Hobart, Tasmania.

Terhi Nurmikko-Fuller, and Kevin R. Page (June 2016). ‘Bridging complex heterogeneous datasets, workflows, and projects in 'Transforming Musicology​'’.
In 3rd Australasian Association for Digital Humanities (aaDH) Conference. Hobart, Tasmania.

Kevin R. Page, David Lewis, and Carolin Rindfleisch (May 2016). ‘Prototypical Scenarios for Contextual Navigation with MEI and Linked Data’. In Music Encoding Conference (MEC 2016). Montréal, Canada.

Terhi Nurmikko-Fuller, and Kevin R. Page (May 2016). ‘A linked research network that is Transforming Musicology’.
In Proceedings of the 1st Workshop on Humanities in the Semantic Web co-located with 13th ESWC Conference (ESWC 2016). Heraklion, Crete, Greece. [pdf]

Tim Crawford, Jessica Schwartz, David Lewis, and Richard Lewis (May 2016). ‘Encoding Music As People Play It: MEI and the role of tablatures in capturing musical performance’. In Music Encoding Conference (MEC 2016).
Montréal, Canada.

Carolin Rindfleisch (April 2016). ‘Emulating Performance? Richard Wagner’s Descriptions of his Leitmotifs’. In
Inaugural conference of the Northern Opera Research Network. Huddersfield, UK.

Tim Crawford, and Richard Lewis (April 2016). ‘Music Encoding Initiative (Digital and Multimedia Scholarship)’.
Journal of the American Musicological Society 69.1, pp. 273-285. [proof |full text |DOI: 10.1525/jams.2016.69.1.273]

Carolin Rindfleisch (January 2016). ‘'The eternal question to fate, surging up from the depth': Richard Wagner’s Descriptions of his Leitmotives in Changing Contexts of Communication’.
In RMA Students' Conference 2016. Bangor, UK.

2015

David M. Weigl, Kevin R. Page, David Lewis, and Ian Knöpke (December 2015).
Unified access to media industry and academic datasets: A case study in early music’. In Digital Music Research Network (DMRN+10).
London.

Richard J. Lewis, Tim Crawford, and David Lewis (November 2015). ‘Exploring information retrieval, semantic technologies and workflows for music scholarship: the Transforming Musicology project’. Early Music 43.4, pp. 635-647. [full text |DOI:10.1093/em/cav073]

Michael Gale, and David Lewis (November 2015). ‘Musical texts and information retrieval: the case of the early modern battaglia’.
Early Music 43.4, pp. 587-595. [full text |DOI: 10.1093/em/cav075]

Kevin Page, Terhi Nurmikko-Fuller, Carolin Rindfleisch, Richard Lewis, Laurence Dreyfus, and David De Roure (October 2015). ‘A toolkit for live annotation of opera performance: Experiences capturing Wagner's Ring Cycle’. In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2015).
Málaga, Spain. [pdf]

Peter Jančovič, Münevver Köküer, and Wrena Baptiste (October 2015). ‘Automatic transcription of ornamented Irish traditional flute music using hidden Markov models’.
In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2015). Málaga, Spain. [pdf]

Charlie Inskip, and Frans Wiering (October 2015). ‘In their own words: Using text analysis to identify musicologists' attitudes towards technology’.
In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2015). Málaga, Spain. [pdf]

Nicholas Harley, and Geraint Wiggins (October 2015). ‘An Ontology for Abstract, Hierarchical Music Representation’.
In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2015). Málaga, Spain. [pdf]

David Baker, Daniel Müllensiefen, and Carolin Rindfleisch (August 2015).
Parsifal and the effect of narrative on unconscious arousal’. In Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM 2015).
Manchester.

Frans Wiering, and Charlie Inskip (June 2015). ‘What do musicologists do all day? Work processes and the adoption of software tools in musicological research’.
In IAML/IMS joint Conference "Music Research in the Digital Age". New York.
class="publication-resources">[slides]

Frans Wiering (June 2015). ‘Digital musicology: Mission accomplished?’. In Proceedings of the IAML/IMS joint Conference "Music Research in the Digital Age".
New York.

David M. Weigl, David Lewis, Tim Crawford, and Kevin R. Page (June 2015). ‘Expert-guided semantic linking of music-library metadata for study and reuse’. In Proceedings of the Second International Workshop on Digital Libraries for Musicology (DLfM 2015).
Knoxville, TN. [acm |DOI: 10.1145/2785527.2785528]

Terhi Nurmikko-Fuller, David M. Weigl, and Kevin R. Page (June 2015).
On organising multimedia performance corpora for musicological study using Linked Data’. In Proceedings of the Second International Workshop on Digital Libraries for Musicology (DLfM 2015).
Knoxville, TN. [acm |DOI: 10.1145/2785527.2785532]

David Lewis, and Frans Wiering (June 2015). ‘Connecting Renaissance music treatises to the Linked Data universe’.
In Proceedings of the IAML/IMS joint Conference "Music Research in the Digital Age". New York.

Ben Fields, Sam Phippen, and Brad Cohen (June 2015). ‘A Case Study in Pragmatism: Exploring the Practical Failure Modes of Linked Data As Applied to Classical Music Catalogues’.
In Proceedings of the Second International Workshop on Digital Libraries for Musicology (DLfM 2015). Knoxville, TN.
[acm |DOI:10.1145/2785527.2785531]

David De Roure, Graham Klyne, Kevin R. Page, John P. N. Pybus, and David M. Weigl (June 2015). ‘Music and Science: Parallels in Production’. In Proceedings of the Second International Workshop on Digital Libraries for Musicology (DLfM 2015).
Knoxville, TN. [acm |DOI: 10.1145/2785527.2785530]

Islah Ali-MacLachlan, Münevver Köküer, Peter Jančovič, and Cham Athwal (June 2015). ‘Towards the identification of Irish traditional flute players from commercial recordings’.
In Proceedings of the International Workshop on Folk Music Analysis (FMA 2015). Paris, France. [archive |eprint]

Kevin Page (May 2015). ‘Music encoding in context: MEI and Linked Data’. In Proceedings of the Music Encoding Conference (MEC 2015).
Florence, Italy. [abstract]

David Lewis, Richard Lewis, and Tim Crawford (May 2015). ‘MEI for lute music’. In Proceedings of the Music Encoding Conference (MEC 2015). Florence, Italy.

Justin Gagen (May 2015). ‘Auditing The Echonest – Investigations to gauge output accuracy’. In Auditing Algorithms From the Outside: Methods and Implications at AAAI Conference on Web and Social Media (ICWSM).
Oxford, UK. [abstract]

2014

Terhi Nurmikko-Fuller, Kevin Page, and Carolin Rindfleisch (December 2014). ‘The ring buffer: Capturing musicology annotations from live performance’. In Digital Music Research Network (DMRN+9).
London.

Daniel Müllensiefen, David Baker, Richard Lewis, Christophe Rhodes, Ben Fields, and Tim Crawford (December 2014). ‘Multi-modal Musical Performance Capture’.
In Digital Music Research Network (DMRN+9). London.

Münevver Köküer, Peter Jančovič, Islah Ali-MacLachlan, and Cham Athwal (October 2014). ‘Automated detection of single- and multinote ornaments in Irish traditional flute playing’.
In Proceedings of the International Society for Music Information Retrieval Conference (ISMIR 2014). Taipei, Taiwan.
class="publication-resources">[pdf]

Münevver Köküer, Daithí Kearney, Islah Ali-MacLachlan, Peter Jančovič, and Cham Athwal (September 2014). ‘Towards the creation of digital library content to study aspects of style in irish traditional music’.
In Proceedings of the First International Workshop on Digital Libraries for Musicology (DLfM 2014). London.
[acm |DOI:10.1145/2660168.2660188]

Alan Dix, Rachel Cowgill, Christina Bashford, Simon McVeigh, and Rupert Ridgewell (September 2014). ‘Authority and Judgement in the Digital Archive’.
In Proceedings of the First International Workshop on Digital Libraries for Musicology (DLfM 2014). London.
[acm |DOI:10.1145/2660168.2660171]

Tim Crawford, Ben Fields, David Lewis, and Kevin Page (September 2014). ‘Explorations in Linked Data practice for early music corpora’. In Proceedings of the Joint Conference on Digital Libraries (JCDL 2014).
London. [eprint |ieee |DOI: 10.1109/JCDL.2014.6970184]

David Baker (September 2014). ‘The psychology of leitmotive processing in Richard Wagner's music’. In Proceedings of SysMus'14.
London.

Christophe Rhodes, Tim Crawford, and Mark d'Inverno (July 2014). ‘Duplicate detection in facsimile scans of early printed music’. In Proceedings of the European Conference on Data Analysis.
Bremen. [eprint |slides]

Daniel Müllensiefen, David Baker, Christophe Rhodes, Tim Crawford, and Laurence Dreyfus (July 2014). ‘Recognition of leitmotives in Richard Wagner's music: chroma distance and listener expertise’.
In Proceedings of the European Conference on Data Analysis. Bremen. [eprint |slides]

Münevver Köküer, Islah Ali-MacLachlan, Peter Jančovič, and Cham Athwal (June 2014). ‘Automated detection of single-note ornaments in Irish traditional flute playing’.
In Proceedings of the International Workshop on Folk Music Analysis (FMA 2014). Istanbul, Turkey. [archive]